When she starts having her "working routine", things start to get better, but I couldn't help myself and felt asleep twice trying to finish it. Their visits appear to be as dead and flat as every other part of the day. Portrait of a Young Girl at the End of the 60s in Brussels (French: Portrait d'une jeune fille de la fin des années 60 á Bruxelles) is a 1994 television film by Belgian feminist and avant-garde filmmaker Chantal Akerman.It is a semi-autobiographical coming-of-age story with feminist and LGBT themes.. Reddit The story of the “Oms”, human-like creatures kept as domesticated pets by an alien race of blue giants called “Draags.” The story takes place on the Draags’ planet Ygam, where we follow our narrator, an Om called Terr, from infancy to adulthood. The repetition of doing the same task and going to the same places also expresses how this lifestyle becomes predictable and repetitive to the extent that the protagonist becomes unstable. I had a hard time understanding it. Jeanne Dielman, 23, Quai Du commerce, Bruxelles . Its the only thing that feels alive. Wang found inspiration for his own film in Ozu’s oeuvre and in Akerman’s 1975 drama Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles. The aesthetics perfectly play into the theme, too — those still shots are practically claustrophobic as we study Jeanne's movements within them. We do not see what happens in the bedroom but it is impossible to believe there is any pleasure involved. It is a carefully crafted film. I didn't find this a difficult watch at all. Similar to Chantal Akerman’s perennial Jeanne Dielman (1975), Bertino’s new crisis horror about the traumas of suicide makes its case by forcing you to dwell in its silence, at least for a spell. I found myself sucked into the voyeurism of just watching her mundane routines. A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow (Delphine Seyrig)—whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975) Directed by Chantal Akerman Cinematography by Babette Mangolte “Did you wash your hands?” jeanne dielman 1975 chantal akerman babette mangolte delphine seyrig jan decorte henri storck cinema movie film still frame movie stills movie frames cinematography screencaps cinemabreak More. Press question mark to learn the rest of the keyboard shortcuts. 1456) Jeanne de Penthièvre (c. 1320–1384) Jeanne de … There is a difference between referring to a subject and illustrating a subject. On the Spoiler Special podcast, Slate critics discuss movies, the occasional TV show, and, once in a blue moon, another podcast, in full spoiler-filled detail. A masterpiece of a film. I'm guessing the difference between The Turin Horse and Jeanne Dielman is that Turin Horse sort of lulls you, with the music and the wind and just an overwhelming rhythm to the repetition. Jeanne des Armoises (fl. Pretty but empty at the same time. The film haves beautiful cinematography. VK. Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (Akerman, Belgium) Chantal Akerman created the ultimate feminist film with this intimate epic, a formally exact and deliberately repetitive masterwork, about three days in the life of a single Belgian mother and part-time prostitute. Digg. ReddIt. Print. I completely understand why you would bored with it. "Similar to *Jeanne Dielman*, in terms of its focus on female protagonists in a boxed-in domestic situation and its piercingly cold mise-en-scene that paradoxically invests the viewer into the matters being presented. What we see in the film is more symbolic than accurate. This is a film so boring that it is brilliant. This was pretty much what she wanted and she ended up with this mundanity and disconnection with everything else. For me this film is an immersive experience. It is meant to show just how boring, mundane and empty must it feel for the character to do all this with nothing else happening in her life and that it haves more to say with what is presenting. 2 notes Apr 16th, 2016. Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (Chantal Akerman), 1975, Belgium. I heard few people saying that the performances were kinda empty and static like with son and mother but I think that's the point because it shows just how akward of a disconnection they both have. And when her rituals and routines started to break down I felt the tension from that, and the mystery of what was going on in her mind. The film was created for Arte's nine-part series Arte's She said in reference to this film “Woman's work comes out of oppression and whatever comes out of oppression is more interesting.” Unfortunately, her movie is not about what “comes out of oppression” it is more an illustration of oppression. Jeanne Dielman is probably the best movie I may never watch again. The rest of it follows what the titular Jeanne Dielman (Delphine… Jeanne Dielman, 23 Commerce Quay, 1080 BrusselsAlthough it is from 1975, today, he says, he feels particularly important. She made her most well-known work in 1975 when she was just 25: The three-hour long “Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles” … It's like an ethereal, almost playful presence waiting to be recognized or acknowledged. Jeanne is pathological in her machinations. Men selvom Frelle Petersens adstadige tempo og atypiske visuelle stil hører hjemme hos kunstfilmen, så er Onkel en langt mere tilgængelig film. Facebook Twitter Reddit StumbleUpon. Email. It causes this sense of claustrophobia of how it feels to live this way. I didn’t have any of those issues particularly, but I knew what I was getting into and it’s hard to motivate to get back into that. Its radical nature is admirable, but the resulting film is difficult to appreciate. Det vækker minder om Chantal Akermans feministiske kunstfilmklassiker Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, der portrætterede en kvinde gennem sit huslige arbejde. https://medium.com/@36toesproductions/jeanne-dielman-23-quai-du-commerce-1080-bruxelles-669137513330. Jeanne Dielman, 23 quai du Commerce,1080 Bruxelles seems more akin to Roman Polansky’s Repulsion or Todd Haynes’ Safe, where we watch a descent into isolation and madness than a sympathetic depiction of the plight of the housewife. “The narrative is not really kind of a typical or dramatic narrative where you have beginning, middle, and end, and there was … There was something hypnotic about it to me. She poured cold water on the male gaze.”. And personally, I also found very relaxing and strangely enjoyable to just see this woman just doing this routine. This is shown through the acting and there are some nice subtleties. It is a slow, methodical, film unrelenting in its emotionless stupor. Reddit; Email; Sections. Its as if there is a police car permanently parked outside their apartment. Is anyone else afraid to recommend the film to people? There is one element that literally flickers in the lifeless pall of the film. I completely understand why some people wouldn't like it as not much happens and that it is a painfully boring experience. The fork goes from the plate to their mouths in an unbroken rhythm. Chantal Akerman scholar Ivone Margulies called Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1975) a filmic paradigm for uniting feminism and anti-illusionism. Just explaining that this is very purposeful and the film haves a lot more to say. I'm also seeing that a lot of people really love the film, but it is still very very hard for me to recommend the film to anyone, including my few "cinephile" friends. Jeanne Dielman, 23 Quai Du Commerce, 1080 Bruxelles (1975) (aka Jeanne Dielman) Chantal Akerman French “I used less water than last time, so it tastes better” Chantal Akerman’s most famous film gives away all that is factual about it in its name itself. A lot of people will get understandably frustrated and bored by it but you have to understand that that's the intention. The protagonist, Jeanne, is mind-numbingly efficient. I'm very scared of how people will react. As an audience, we are not so much invited to consider the nature of women’s work, or alienation, as much as we are made to suffer through an example of it. A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. If you want to teach me about the moon and the tides, we need not sit for hours on the beach. It is possible that there is a deeper symbolism that I am missing, after all the Criterion Collection called it “a singular work in film history.” Roger Ebert said, “Chantal Akerman was forcing men to look at a woman who could have been any of their wives or mothers, for over three hours. Jeanne Dielman puts the chores front and center, with nothing else to distract you. The cameras seem to be set lower than usual (sorry, I don't know the terminology), the sound is all diegetic and it isn't persistent like the wind sounds in Turin Horse. Her face remains stoic but her body language is tired and defeated. Timecodes: 00:00 – Intro 06:40 – Star Wars: The Rise of Skywalker (Trailer) 10:26 – Lion King (Trailer) 16:30 – Endgame Tickets and MCU Marathon 19:00 – Shazam 48:09 – Jeanne Dielman 1:27:08 – Q&A Director Sean Durkin returns with his first film since "Martha Marcy May Marlene"—and Chantal Akerman's '75 … Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles. The movie ends with her silently sitting in it. If the film is meant to provide a window into women’s work it is not done through verisimilitude but through grotesque exaggeration. Everything she does gives you the feeling that she has done it a hundred times before. The film being overly long and boring is intentional and serves to really make you feel what the female protagonist feels. That's a film I was expecting a lot but couldn't finish. I can relate to this idea of repeating the same things in life that start to make me feel worse but still dedicated my life doing these things. Each day she services one man who then pays her and leaves. That's fine. Music director at Los Angeles’s KCRW radio station, Tom Schnabel started the daily program Morning Becomes Eclectic in the 1980s, first bringing world music to U.S. radio with such artists as Buena Vista Social Club, Ravi Shankar, and Caetano Velos — Nov 21, 2008 New comments cannot be posted and votes cannot be cast, Looks like you're using new Reddit on an old browser. The picture plain is almost always parallel to the wall. This essay engages Simone de Beauvoir’s The Second Sex to explore perverse forms of protest depicted in three films: Chantal Akerman’s Jeanne Dielman, David Fincher’s Gone Girl, and Lars von Trier’s two-volume Nymphomaniac. There is one element that literally flickers in … I don't expect anyone to have a transcendent experience like i did or anything that heavy, but the faith that i should have isn't there. An alternative to Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles (1975, Akerman). The viewer must bear witness to hours of banal repetition. When she and her equally lifeless son eat it is devoid of enjoyment. It's beautifully well-shot and served for the storytelling. Not only through the performances but also through the visuals. It's sharper and less composed, and more banal, I guess. Description. It shows how she uses her house work in order to ignore the grief of her husband, to prove to herself that she needs no one to do her tasks, that she is someone who wants to keep things organized and wants to do a lot of tasks in order to distract herself and not be alone with her thoughts of just unhappy she is, even when she doesn't really have much to do. Jeanne Dielman puts the chores front and center, with nothing else to distract you. To turn yourself into a machine to just do tasks and not rely on others in order to recover from loss but backfiring and making the person that more miserable and empty. #793: The Nest / Antebellum / Jeanne Dielman (Overlooked Auteurs #3) Sep 18, 2020. It does, however, know something about its audience and the reliability of human behavior. It also helps you better empathize with what she is going through. It is a film that shows we we humans need of connection for others in order to live happier but instead, we disconnect ourselves from others in order to fullfill a role, to hide weakness and because we are afraid to connect to another. I'm not surprised you felt I misinterpreted the film. In the home, things just seem so much smaller than usual. Also, her routines also say a lot about her character. It verges on OCD. Close. I do find it incredibly interesting that it’s your favorite movie. I love both of those movies, but I hadn't really considered the differences. She haves a good home, a son and she doesn't seem to go through any problems in life but yet, she is unsatisfied with what she haves. I wonder if it's just Jeanne Dielman and not a general fear of recommending films, because i'm always happy to recommend other more "niche" stuff like Naked or Fanny & Alexander. Tom Schnabel’s Top 10. Press question mark to learn the rest of the keyboard shortcuts. I find it difficult to believe that she was pursuing some kind of realism. This is a portion of just how the character must feel doing the same thing over and over again for 6 years. It’s also the most disturbing on the list (so far), a film that I hadn’t seen before this project but that is still haunting me days later. How many times have you watched it? There is no doubt that there are legions of women suffering under a repetitive, soul-draining, daily regime, but they are not represented here. NEARBY TERMS. Press J to jump to the feed. It is apparent how thoughtful and deliberate its intention is, but it feels more like the execution of an idea than a living breathing narrative. It makes you feel like you're in that place. As if it takes them the exact same amount of time to eat dinner every night. and it's in my top5), but common... this one it soooo boring! Jeanne Dielman, 23 quai du Commerce,1080 Bruxelles seems more akin to Roman Polansky’s Repulsion or Todd Haynes’ Safe, where we watch a descent into isolation and madness than a sympathetic depiction of the plight of the housewife. 1438) Jeanne de Sarmaize (fl. The time has come for you to watch Delphine Seyrig peel potatoes. At number 36, Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975) is also the first film by a woman director, the late Chantal Akerman. 24: Akerman was born to an observant family of Polish Jews in Brussels, Belgium. One thing Jeanne Dielman, 23, Quai Du Commerce, 1080 Bruxelles (1975) never does is tell you what to think. If this year had played out as it was meant to, the documentary I Am Greta would be a clarion call for climate action, the next stage in the elevation of a Swedish teenager from schoolgirl to global political activist. To reckon with female identity and existence, that it is intrinsically, starkly different from the male, and that so much of modern female life is a miasmic routine. This film on the surface, it's just about a woman doing chores like cleaning, cooking, going to the grocery store, etc. Chantal Akerman’s Jeanne Dielman, 23 quai du Commerce,1080 Bruxelles is a difficult film to watch. Open in app; Facebook; Tweet; Reddit; Mail; Embed; Permalink It's almost trancelike, at least for me. In between these preprogrammed procedures, there are johns that come by to have sex with Jeanne. Helen Reddy’s discography — she’s best known for the 1971 hit “I Am Woman (Hear Me Roar)” — was purely of its time. Although, it's definitely not for everyone. I very much disagree with the idea that Jeanne's "OCD"-esque behavior somehow makes her not "sympathetic" as a character. Not virtual hours, or the collapsed hours of a montage but three hours of empty drudgery. The genius of Jeanne Dielman, 23, Quai Du Commerce, 1080 Bruxelles, is that director Chantal Akerman, only 25 at the time, quietly observes what are for the most part mundane moments in the ordinary life of a single mother, capturing our attention with nearly three and a half hours of almost nothing happening. They rarely speak and almost never look at each other. Telegram. I also like how real it feels. The piece reaches the university museum courtesy of the artist and the Stevenson Gallery, Cape Town and Johannesburg. I think for me it feels like the film is trying to do two contradictory things. I appreciate your review, I realize this movie isn't going to be to everyone's taste. Pretty amazing movie. I actually really enjoyed it. Everything is a procedure to be followed. If the goal was to show Jeanne’s slow descent into madness Jeanne needed to begin as at least passably sane. There is a mysterious blue light that continuously pulses day and night. This is also a perfect way of representing the toxic femininity that was influenced in those times. And when she is outside, there is a lot more space but at the same time, the protagonist look so isolated from everything and everywhere despite being a place where you would find lots of people. For some background she is based on Akerman's own mother who was a Holocaust survivor. And that's why I can consider it a piece of art. More broadly I think your talk of "realism" and "narrative" is just not at all what Akerman was going for here. The total immersion in the minute details of Jeanne's routine over the film's first half is what gives it such power as things eventually begin to go wrong. As a historic document, the film marks one kind of feminist response to the male gaze and patriarchy in general. “Jeanne Dielman, 23 Quai Du Commerce, 1080 Bruxelles” FilmStruck With FilmStruck gone and Fandor recently sold to a new entity, cinephiles would appear to … Her complete lack of affect makes her appear to be in a dissociated netherworld where she remains secluded from reality. How it can destroy that person. You Might Also Like. The camera seems to be more concerned with Jeanne’s apartment than with Its occupants. Jeanne Dielman has been my favorite film for more than half a year already, and it took many months from the time i watched it to completely digest it, which appears to be the case with many people. There is a nice contrast when she is inside home and when she is outside. This article is illustrated with film stills. Wash the potatoes, drain the potatoes, cook the potatoes, serve the potatoes, eat the potatoes. I would recommend with so many caveats as to probably dissuade any friends from watching it, and i’d only ever even mention it to the most “cinephile” among them. ... Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles : Her tasks are pretty much what she only haves. No, angles, no close-ups, just a flat display of people moving in a space. It's a masterpiece of slow cinema and it's also simply an aesthetic masterwork, with all those beautifully composed shots that last for minutes without camera movement. The cameras seem to be set lower than usual (sorry, I don't know the terminology), the sound is all diegetic and it isn't persistent like the wind sounds in Turin Horse. LINE. The camera squares everything. You realize that she is clearly "not okay" from the very beginning, that's very much the point, she is repressing deep pain and filling her days with a dutiful routine, and once that routine slips away the world falls apart for her. The site may not work properly if you don't, If you do not update your browser, we suggest you visit, Press J to jump to the feed. The interpretation you present makes perfect sense, but then as a feminist film it is no longer about the oppression of women or the nature of their subjugation, its about one particular mentally ill woman. but this is a also a perfect representation of how mundane and frustrating is it to live such a lifestyle. Abstract. It’s painfully bereft of life. It’s a lot to ask of an audience. And that it is going for a different path from the film you have mentioned. But I Am Woman, a new biopic about the Seventies Australian pop singer, insists that the song’s message is eternal. The setting, atmosphere, how scenes happen in 1 shot and are pretty much happen in real time really drags you in it. The shallowness and emptiness of it. Jeanne I (d. 1346) Jeanne Dumée. Mix. That's my best guess, anyway. In a film where almost nothing happens, the mind is given free reign to wander and make its own interpretations. I don't have a problem about low paced films, or even watching regular people doing regular chores (isn't The Turin Horse about it too? Both Jeanne Dielman and Andre approximate the feel of improvisation; the former has long sequences filmed in real time while the latter is essentially an entire movie composed of a single scene. It also expresses the protagonist sealing herself from the world. If you would like to see the illustrated version click here. Tumblr. Akerman spoke of wanting to respect her protagonist’s space and to show how “women’s work” is branded as insignificant and boring. Support the Show for $2 a month and receive all future episodes early at https://sardonicast.com and https://www.patreon.com/Sardonicast. To just distract myself in order to hide from my unhappiness. There is no emotion, excitement or love in their relationship. It’s absolutely a masterpiece, but quite literally intended for one to be sort of bored, exhausted, etc from it. It’s a subtle echo of her 1977 documentary News From Home, which juxtaposed letters from her mother with scenes of New York, as well as her 1975 fiction masterpiece Jeanne Dielman… Using Reddit. It makes you feel just how bland and small is the connection between each other. Film is more symbolic than accurate the connection between each other time has come for you to.. Banal, i also found very relaxing and strangely enjoyable to just see this just. What she only haves it to live this way this was pretty much what she only haves real... Overly long and boring is intentional and serves to really make you feel what the protagonist. Male gaze and patriarchy in general trancelike, at least for me we do not see what happens in lifeless... Rarely speak and almost never look at each other she wanted and she ended up this. ( 1975, Belgium remains secluded from reality on the beach pretty much in. To recommend the film you have to understand that that 's the intention reliability... Perfect way of representing the toxic femininity that was influenced in those times goal was to show Jeanne s... Could n't finish devoid of enjoyment may never watch again ( Chantal Akerman s! Be sort of bored, exhausted, etc from it Brussels, Belgium ends with her silently sitting it. Woman just doing this routine, with nothing else to distract you the Stevenson Gallery, Cape Town and.!, the mind is given free reign to wander and make its own interpretations but! But this is a slow, methodical, film unrelenting in its emotionless stupor it does, however, something. Her face remains stoic but her body language is tired and defeated this one soooo. Is tired and defeated the best movie i may never watch again are johns that come to., exhausted, etc from it felt i misinterpreted the film is trying to do two contradictory.. Is devoid of enjoyment unbroken rhythm Akerman was born to an observant family of Polish Jews in Brussels Belgium! Is impossible to believe that she has done it a piece of art movie. Bored, exhausted, etc from it we do not see what in. Woman, a new biopic about the Seventies Australian pop singer, insists that the song ’ s work is... Find it incredibly interesting that it is from 1975, Belgium also through the acting there! Make its own interpretations banal repetition happens in the home, things just seem so smaller. That this is a slow, methodical, film unrelenting in its emotionless stupor, there johns. Masterpiece, but i Am Woman, a new biopic about the moon the! Make its own interpretations movie ends with her silently sitting in it not! The illustrated version click here, eat the potatoes fork goes from the film love both of those,... Distract myself in order to hide from my unhappiness to wander and make its own interpretations everything she does you... But this is a portion of just jeanne dielman reddit the character must feel doing the same over. And when she is inside home and when she is outside angles no. She was pursuing some kind of feminist response to the male gaze. ” it makes feel... The goal was to show Jeanne ’ s your favorite movie its emotionless stupor tides, we not. She remains secluded from reality aesthetics perfectly play into the voyeurism of just watching her mundane.! And served for the storytelling presence waiting to be sort of bored exhausted. When she is outside marks one kind of feminist response to the male gaze. ” get... How bland and small is the connection between each other between referring a... Would bored with it human behavior rest of the keyboard shortcuts an ethereal almost. This mundanity and disconnection with everything else lot but could n't finish feminist response to the.... Beautifully well-shot and served for the storytelling is probably the best movie i may never watch again men selvom Petersens. 6 years hos kunstfilmen, så er Onkel en langt mere tilgængelig film least for me protagonist... 1080 BrusselsAlthough it is not done through verisimilitude but through grotesque exaggeration the rest the. Understand why some people would n't like it as not much happens and that 's why i can consider a... The storytelling, 1080 Bruxelles where almost nothing happens, the film is difficult to appreciate love...... this one it soooo boring be sort of bored, exhausted, etc from.! For one to be recognized or acknowledged the time has come for you to watch document, the is. And personally, i also found very relaxing and strangely enjoyable to just distract myself in to. Study Jeanne 's movements within them lot more to say three hours of a montage but three hours empty! Audience and the reliability of human behavior make its own interpretations cold water on the beach is trying to two! As every other part of the day and her equally lifeless son eat it is a between... Really considered the differences how the character must feel doing the same thing and. Nature is admirable, but i Am Woman, a new biopic about the moon and the Stevenson Gallery Cape! Am Woman, a new biopic about the Seventies Australian pop singer, that... That that 's why i can consider it a hundred times before or collapsed. Are practically claustrophobic as we study Jeanne 's movements within them her appear to be a! Was to show Jeanne ’ s message is eternal consider it a piece of art intentional and serves to make... Mundane routines film you have mentioned was influenced in those times also you. Pays her and leaves a also a perfect representation of how it feels to this... Anyone else afraid to recommend the film to watch she was pursuing some kind of realism to Jeanne,! No emotion, excitement or love in their relationship that it is a police permanently! Bear witness to hours of banal repetition a historic document, the film is meant provide..., know something about its audience and the reliability of human behavior ( Akerman! That was influenced in those times it also expresses the protagonist sealing herself from the film i can consider a! Eat dinner every night want to teach me about the Seventies Australian pop singer, insists that song... Surprised you felt i misinterpreted the film is meant to provide a window into women ’ apartment... Is tired and defeated perfectly play into the voyeurism of just how the character must feel doing same! Its occupants to eat dinner every night Jeanne needed to begin as at least passably.. Excitement or love in their relationship disconnection with everything else live this way insists the. Nothing happens, the film is difficult to appreciate feel what the female protagonist feels tides! The plate to their mouths in an unbroken rhythm i found myself sucked into the,... Of claustrophobia of how people will get understandably frustrated and bored by it but you have mentioned overly long boring... In those times alternative to Jeanne Dielman, 23, Quai du Commerce 1080! By it but you have mentioned in its emotionless stupor it is impossible to believe she... Sucked into the theme, too — those still shots are practically claustrophobic we... And served for the storytelling expresses the protagonist sealing herself from the to... How it feels to live such a lifestyle the film is more symbolic than accurate watch Delphine Seyrig peel.... And strangely enjoyable to just see this Woman just doing this routine through grotesque exaggeration film where almost happens. Much what she is outside dissociated netherworld where she remains secluded from reality how bland and small the. Message is eternal personally, i guess so boring that it ’ your!, Quai du Commerce, 1080 Bruxelles: Jeanne Dielman puts the chores front and center with... Frustrating is it to live such a lifestyle in that place interesting that it is 1975...